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Feeling his previous releases were just collections of demos recorded over the course of several years, Beck desired to enter the studio and record an album in a continuous linear fashion, which became Odelay. By the time Beck released his first album for Geffen, the low-budget, genre-blending Mellow Gold on March 1, “Loser” was already in the top 40 and its video in MTV’s Buzz Bin. Virtually an unknown to the public and an enigma to those who met him, Beck would hop onstage between acts in local clubs and play “strange folk songs”, accompanied by “what could best be described as performance art” while sometimes wearing a Star Wars stormtrooper mask. Two of Beck’s most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone’s list of the 500 greatest albums of all time.

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Beck sustained a spinal injury while filming the music video for 2005’s “E-Pro”. Since the early 1980s, she has been married to Chicano artist and media maker Sean Carrillo, khelaghor-bangladesh.com a member of the performance art group ASCO, who became Beck’s stepfather at age 22 when the musician was twelve years old. He publicly acknowledged his affiliation for the first time in a New York Times Magazine interview on March 6, 2005. Beck’s nine-year relationship with designer Leigh Limon and their breakup is said to have inspired his 2002 album Sea Change. Pitchfork Media applauded Midnite Vultures, saying, “Beck wonderfully blends Prince, Talking Heads, Paul’s Boutique, ‘Shake Your Bon-Bon’, and Mathlete on Midnite Vultures, his most consistent and playful album yet.” The review commented that his mix of “goofy piety and ambiguous intent” helped the album.

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In the summer of 1994, Beck was struggling and many of his fellow musicians thought he had lost his way. Beck expressed a loose interest in hip hop and Rothrock introduced him to Carl Stephenson, a record producer for Rap-A-Lot Records. “I’d be banging away on a Son House tune and the whole audience would be talking. So maybe out of desperation or boredom, or the audience’s boredom, I’d make up these ridiculous songs just to see if people were listening,” he later remarked. Beck became involved in a loose posse of acoustic musicians—including Cindy Lee Berryhill, Kirk Kelly, Paleface, and Lach headed by Roger Manning—whose raggedness and eccentricity placed them well outside the acoustic mainstream. Beck began as a folk musician, switching between country blues, Delta blues, and more traditional rural folk music in his teenage years.

• In the summer of 1994, Beck was struggling and many of his fellow musicians thought he had lost his way.
• Midnite Vultures, Beck’s next studio effort, was originally recorded as a double album, and more than 25 nearly completed songs were left behind.
• The song “Dark Places” was released on November 6, with the album being released on November 22.
• The first album covered by Beck’s Record Club was The Velvet Underground & Nico.
• He began performing on city buses, often covering Mississippi John Hurt alongside original, sometimes improvisational compositions.

Retailers initially predicted that the album would not receive much radio support, but they also believed that Beck’s maverick reputation and critical acclaim, in addition to the possibility of multiple Grammy nominations, might offset Sea Change’s noncommercial sound. Beck lapsed into a period of melancholy and introspection, during which he wrote the bleak, acoustic-based tracks later found on Sea Change. In the studio, Beck and producers studied contemporary hip hop and R&B, specifically R. The artist then sought to void his contracts with both record labels, and in turn the labels sued him for breach of contract.

Mutations and Midnite Vultures (1998–

When sent a book of transcribed sheet music for that album, Beck decided to play through it and grew interested in the world before recorded sound. Beck worked for five or six days a week at the small studio on his property in Malibu, and founded Record Club, a project whereby an entire classic album—by The Velvet Underground, Leonard Cohen, INXS, Yanni—would be covered by another singer in the span of a single day. The duo knocked out two tracks in two days, but the notion that the album would be finished in a timely fashion soon evaporated. In 2007, Beck released the single “Timebomb”, which was nominated for a Grammy Award for Best Solo Rock Vocal Performance.

Beck sat on the songs, not wanting to talk about his personal life; he later said that he wanted to focus on music and “not really strew my baggage across the public lobby”. Though the album was originally slated for release by Bong Load Records, Geffen intervened and issued the record against Beck’s wishes. Beck and his bandmates wrote songs in fourteen days, although just twelve made it onto the album, 1998’s Mutations. Having not been in a proper studio since “Deadweight”, Beck felt anxious to “go in and just do some stuff real quick”, and compiled several songs he had had for years. During this time, he contributed the song “Deadweight” to the soundtrack of the film A Life Less Ordinary (1997). He hung out at Los Angeles City College perusing records, books, and old sheet music in the college’s library.

The first contemporary music that made a direct connection with Beck was hip hop, which he first heard on Grandmaster Flash records in the early 1980s. Returning to Los Angeles in the early 1990s, he saw his commercial breakthrough with his 1993 single “Loser.” After signing with DGC Records, the song peaked at number ten on the Billboard Hot 100 and served as lead single for his third album and major label debut, Mellow Gold (1994). He has musically encompassed folk, funk, soul, hip hop, electronica, alternative rock, country, and psychedelia.

Beck provided four songs for the film Scott Pilgrim vs. the World (2010), each attributed to the title character’s fictional band, Sex Bob-Omb. Beck had known Danger Mouse casually before, as many of his former musicians ended up working with Danger Mouse’s side project, Gnarls Barkley. For his next studio effort, his eleventh, Beck tapped Danger Mouse to produce, and the two first met in December 2007 to record. Working again with Godrich, Beck built a studio in his garden, where they wrote many of the tracks. Guerolito combines remixes previously heard as B-sides and new versions of album tracks to make a track-by-track reconfiguration of the album.

He also collaborated with Lady Gaga on the song “Dancin’ in Circles”, from her 2016 album Joanne. In 2014, Beck collaborated with Sia for the song “Moonquake Lake”, which is featured in the soundtrack for the 2014 Annie film. Beck collaborated on two songs for Childish Gambino’s “Royalty” mixtape in 2012.